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Emily is also a teaching artist and has been facilitating creative workshops in the NYC public schools for the past 20 years, specializing in programs with teenagers going through the criminal justice system. Since 2001 she has been creating, developing, performing, producing and directing new works that address the complex and sensitive issues of our time. Ensuring our work’s accessibility by providing accommodations for audiences, artists, and participants of all physical abilities and neurological diversities.Įmily is the Co-Founder and Artistic Director of Houses on the Moon Theater Company.Creating space for conversations within our administrative activities and Board meetings to address white supremacy and bias in our work culture building safe and constructive channels through which staff, artists, and Board members may voice their concerns and/or report instances of discrimination.Mindfully curating and employing artistic and production teams for each of our projects that reflect the voices, cultures, perspectives, and lived experiences these stories depict.Continuing and increasing the creation, development, and production of BIPOC-led artistic projects.Expanding our Staff and Board of Directors to include more BIPOC individuals/members, and prioritizing equity, diversity, and inclusion in our hiring practices.As our company continues to grow and evolve, we commit to the following: Houses on the Moon has always been centered around artists, the artistic process, and the diverse communities and non-traditional audiences we serve. We recognize that we exist within a society that suffers greatly from systemic racism and an unjust power structure, and that we as an organization must continually work to embody our core principles, actively combat oppression, and support true equity. We are committed to this mission and strive to always lead with these values. Houses on the Moon Theater Company was founded in 2001 with the mission of amplifying unheard voices and the vision of dispelling ignorance and isolation to create a safe and equitable space for all humans, regardless of their race, culture, religion, gender, sexuality, or immigration status.
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IInclusion, Diversity, Equity, & Accessibility
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Whether they are LGBTQ asylum seekers, undocumented youth, families impacted by gun violence or grappling with mass incarceration, Houses on the Moon collaborates with communities to amplify their untold stories, create awareness, offer support, and ultimately foster a more empathetic world. Our creation process includes extensive research, first-person storytelling workshops, and interviews, and our work is presented Off Broadway as well as in non-traditional spaces throughout New York City, the US, and internationally. The stories we tell come from real people. Our projects begin with relationship building, collaboration, and partnership with grassroots community organizations to identify an urgent social need a vital untold story that must be heard. Houses on the Moon is a home for unheard stories. The characters are from both of works.REMARKABLE STORIES SPARKING TRANSFORMATIVE CONVERSATIONS Basically this fic is an extension of what happened in the play, but the reason I watched it is totally because of JCS, so I put it in JCS fandom as well. I watched “The last days of Judas Iscariot” on YouTube.
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